The most repugnant novel I've ever read
by Dann Lennard
SOMETIMES,
my obsession for all things wrestling can lead me down dark alleyways that I
really didn’t expect, nor want, to go. Such is the case with my eBay purchase
some time ago of the 1964 wrestling-themed novel Men Want My Flesh by
Martin Samuels. I finally read it on the weekend and I really regret doing it.
I feel like my mind has been dragged through a shit-filled sewer.
I’ve
read some bad books in my time: poorly written, offensive content, demented in
its point of view, but never have I read a novel that contained all three
elements to such an alarming degree.
Men Want My Flesh
is quite simply the most repugnant, misanthropic book I’ve ever had the
misfortune of reading: extreme misogyny intertwined with homophobia and a healthy
contempt for men as well.
This
75-center was probably the height of titillation back in the repressed early
60s, and maybe it’s typical of the bastardised genre of the pervy potboiler,
the sexploitation-style novel that was the precursor to the full-on X-rated
novels that filled porno shops up until only a few years ago. If so, then I
hope the people who bought and perused them didn’t grow up with a severely
warped attitude towards women and mankind in general.
The
star of this tawdry tale is 18-year-old Marcia, a gal from the wrong side of
the tracks who’s forced to live with her rich, aloof Aunt Beth in her mansion after
her mother dies.
Beth
is indifferent to Marcia, directing all her affection to weak, depraved son Berty.
The scoundrel, naturally, takes an unhealthy interest in sweet innocent Marcia,
finally culminating in a brutal rape scene in a children’s playroom.
Only
a few pages earlier, the poor gal had lost her virginity to a Frenchman who
forced himself on her after a blind date.
In
fact, unlucky Marcia doesn’t fare well throughout this book: her first five
sexual encounters all come via rape. Of course, this being an “erotic” novel
written by a woman-hating male, by the end of each assault, Marcia comes to
enjoy the experiences (except Berty’s).
Worse
still, whenever she tells her friends about being these horrific attacks, their
reactions are of the “Aw shucks, honey. That’s just the way of the world
between men and women” variety. It’s jaw-dropping stuff. Samuels’ hatred of
women (they’re cock-teasers who deserve to be raped) is only matched by his disdain
for men (they’re filthy animals incapable of containing their brutish urges).
The author has serious fucking issues here.
Following
the Berty incident, Marcia discovers that Aunt Beth has taken his side, so she
leaves the mansion (along with the maid and new friend Corrine) and decides to
become a professional wrestler at the urging of local promoter Jack Blair.
After
briefly training with ugly, self-loathing lesbian Lois Felton – and getting
raped by crooked cop Franky Tate – Marcia has her first wrestling match and is
a smash-hit, remembering Lois’s advice to constantly spread her legs during
every move to turn on the male scum in the audience.
In
the dressing room afterwards, Marcia witnesses Lois beating up, then raping an
ex-lover.
Meanwhile,
Aunt Beth is horrified to learn that her wayward relative has entered the
tawdry world of women’s wrestling, and orders her to quit. When Marcia refuses,
Beth hires two thugs to drug, rape and photograph her in an attempt to
blackmail her into quitting the biz and leaving town.
A
dismayed Marcia rejects the blackmail attempt and devises a plan of revenge.
She learns that Jack also organises “smokers”: exclusive, invitation-only
events where women wrestle in a ring for real – sometimes in the nude,
sometimes culminating in depraved acts – in front of a leering audience of sick
perverts. He explains, “Maybe you
misunderstood, Marcia. They’re dirty, they’re filthy. They get plain obscene.”
Marcia
browbeats Blair into putting her on the card for the next smoker, then arranges
for Berty to attend the event. Meanwhile, she seduces weak Franky Tate (the
only non-rape scene in the novel) to convince him to raid the event and
arranges a local journalist to cover the bust and make sure Berty is
photographed being arrested.
She
feels certain this will destroy Berty’s reputation in town and mortally wound
her most hated enemy, Aunt Beth.
On
the fateful night, Marcia arrives at the venue and meets fellow wrestler Judy,
who’s forced to compete because her deadbeat ex-boyfriend has left her in a
financial lurch with a loan shark.
Backstage,
Corrine finds Marcia and reveals to her that Jack Blair loves her. Suddenly
realising the error of her ways, Marcia rushes into the arena to warn Berty to
get away before the raid. He doesn’t believe her and tells her to leave.
She
runs backstage and bumps into Franky Tate, urging him not to go ahead with the
raid. Before he can say anything, an enraged Judy (who’d previously been
stripped and humiliated in her wrestling match) plunges a pair of scissors into
his back, killing him instantly. Turns out no-good Franky was Judy’s ex. She
then stabs herself and dies.
Pandemonium
breaks out in the arena and the crowd desperately try to escape as the police
bust up the smoker.
Berty
finds Marcia and drags her into her dressing room. Full of hate, he rapes her
again...
The
book ends with the journalist visiting Marcia a few days later to tell her that
the cops don’t want her (“Nobody wants you”) and she’s free to go. His
newspaper article has led to the arrest of Jack Blair and a few of his
associates, but all the wealthy audience members (including Berty) have got
away.
Perversely,
a chastened Aunt Beth visits Marcia and tells her she’s disowned Berty and begs
her to return to the mansion. Marcia declines, saying that she and Corrine are
moving to another city to get a job: “A waitress maybe. It’s respectable.”
She
also admits that when Jack Blair gets out of jail, she’ll go to him: “I’m going
to stay with him as long as he’ll have me.”
Yeah
sure, honey. You ratted him out to the cops and he went to prison. He’ll
DEFINITELY wanna see you again when he’s set free.
And
the book ends on a vaguely hopeful note for Marcia’s future. A mentally damaged
victim of rape who hates pretty much every man except the one man who more than
likely hates her for ruining his life.
Men Want My Flesh
is badly written in that florid, almost breathless style of the airport novel,
and was probably churned out in three days by a moonlighting hack under a
pseudonym (I checked online and couldn’t find anything else written by “Martin
Samuels”).
The
misanthropy (mainly misogyny, but overall a general contempt for mankind in
general) are bad enough. But it’s Samuels’ twisted ideas of love and lust – and
his central concept that any relationship between a man and a woman is
essentially a combative one, where women are there to be tricked into bed or,
failing that, forced into one – that will stay with me long after the overwrought
dialogue and ridiculous plot developments have faded from memory.
This
novel isn’t entertaining. It’s not even amusing in an eye-rolling, post-ironic
way. It’s just fucked.
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